You can only photograph what’s there, I think we agree on that. Not what’s in your phantasy. Some photographers have photographed “scenes from their phantasies” that they had to construct before these could be photographed. And as a black and white film photographer I’m not even thinking of the “artistic” horrors of extreme photoshop manipulation… The constructing part – be it arranging people and things, or putting together things to suggest a non-existing reality – is in fact introducing another art form like performance or sculpture in its widest sense, then simply putting it on film. The photographer, in all his freedom [to quote William Klein: “anything goes”], nevertheless should realize this, so he isn’t fooled into believing such photography is the real “art photography”. The real “art” in photography is in my opinion in the elevation of the image from its purely representational “reality” level to a higher (non-anecdotal) symbolic function, which could be enigmatic or even of a metaphysical nature.